Si è diplomata in arti plastiche alla Scuola Nazionale Superiore d’Arte di Limoges. Ha partecipato a numerose residenze d’arte in Europa e nei paesi del Sud del Mediterraneo.
Fra le esposizioni ricordiamo: Kunstzene Tessin, Kunst(Zeug)Haus, Rapperswil-Jona, 2017 (collettiva); Du fil dans les idées, a cura di Karine Tissot, Centro d’arte contemporanea Yverdon-les-Bains, Théâtre de la Tournelle, Orbe, 2015 (collettiva);  Enigma della modernità, a cura di Guido Magnaguagno, Museo Bärengasse, Zurigo, 2013 (collettiva); Cosa c’è di nuovo?, a cura di Elio Schenini, Museo Cantonale d’Arte, Lugano, 2010 (collettiva); Galleria Wegert&Sadocco, Winkel (Olanda), 2009 (personale); Quaternio IV, a cura di Karla Woisnitza, Galerie im Turm, Berlino, 2009 (collettiva).

Born in Ticino, Switzerland, Aglaia Haritz got in 1999 the artistic maturity at the CSIA in Lugano and in 2003 the National Diploma of Fine Arts, ENSA in Limoges, France. She exposed in Museums and in Contemporary Art Centre in Switzerland, in Germany, in Italy, in France, in Holland and in Slovenia. Her works are parts of important Art Collections. Since 1996, parallel to the study and the artistic production, she developed a social artistic research through collaboration in human projects in India, in Central African Republic, in Democratic Republic of Congo, in India, in South America and in West Bank. She was selected for the Art Residence at the Cité Internationale des Arts in Paris, Dar Al-Ma’mûn Art Residency in Marrakech, art residencies in Cairo, Morocco and Lebanon. In 2013 she created, in collaboration, the itinerant art project “Embroiderers of Actuality”.
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